The Atlantic Line of the Pacific – Exit to Intro
Ah, the Atlantic Line of the Pacific coast – a band whose name finds irony in geography, and whose new album entitled Exit to Intro is likewise conceptually backwards (at least in nomenclature). But that’s all very superficial, and were the music itself similarly of little consequence, you can bet a blue ox (why not?) I wouldn’t spill even a bit of cyber ink over it.
As it is, LA’s Atlantic Line is worth writing about, and even more worth listening to. Exit to Intro is an album of wide open space, mixing a lot of ambient chorus, reverb and laser effects to produce a strong sense of orbital movement. Really, if you don’t feel as if your breezing past Venus upon a pan-Milky Way trip on Haley’s Comet, then you’re just not getting it. But I do think you’ll get it, and if the layered effects of the tunes aren’t enough to draw out a sigh of awe, then focus on the melodies, since clearly the Atlantic Line don’t think a song a song without a fine melody to go along.
The Atlantic Line’s tour calendar is slightly light right now, but we have hope that maybe they’ll travel part way across the country in the near future. Want to hear the best thing yet? The band has a gift just for you – a copy of Exit to Intro for free download via their website! Snag it now, and don’t forget to hook up with the band via the hordes of social media options listed on their website and myspace.
Here’s the tune I’ve been digging on for about a week now. Let me know if you do too!
[audio=http://borangutan.com/wp-content/uploads/2010/07/02-Big-Brother.mp3]
“Big Brother” by: The Atlantic Line
Links
The Atlantic Line – Website / Myspace / Facebook
posted July 1st, 2010 at 5:45 pm Reviews







Next up was Lights, also known as Valerie Anne Poxleitner. This lithe, petite musician is a Juno award-winning performer and has at a young age released several EP’s and multiple singles heard nationwide. Her music style is an electronic sound not far from being reminiscent of prior female electronic acts such as Scottish performer Ladyhawke with flair of Ladytron included. Her voice with its vulnerable and airy feel, bring to mind vocal qualities of Stina Nordenstam and Heather Nova, especially in one of her hit singles, “Ice.” A definite addition to any electro-pop fan’s iTunes library.
Last, but definitely not least, was headliner band Owl City. A local Minnesotan, it is rumored that chronic insomnia essentially led to the beginning of this talented writer and performers work. Whether that is true or not, this young musician has experienced tremendous success in the short time span he has been active. With the enormous popularity of his single “Fireflies”, and Young recently signing with the Universal Republic production label, this artist’s popularity continues to rise. Categorized as belonging to synthpop, Young’s musical range and attire seem appropriate within the European Mod category as well, with vocals in a similar vein to Peter, Björn and John as well as The Postal Service. His performance at the State Theater was no exception, amplified with all his band members wearing British style Mod outfits. Young played multiple instruments throughout the show, and demonstrated an introspectively theatrical dance style. Everything Young expresses seems to come from a deeply personal and complex place, and is thereby performed in such a way. An intimate performance beset on a foundation of massive popularity. If Owl City doesn’t appear on the next Twilight Saga film soundtrack, than I don’t know what will.





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